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No other musical genre permeates society quite as deeply as brass band music. Tyrol has more brass bands than it does municipalities; they are the cornerstones of the social fabric, foster a sense of identity and help shape the region’s public image. For many people in the region, playing in these ensembles is their first and most formative encounter with music. 

To mark the centenary of the ‘Tyrolean Brass Band Association’, the exhibition ‘Spielweisen’ explores when and why brass band music came to hold such a prominent place. This in-depth look at its history is fascinating: its beginnings were modest, and what is now regarded as a defining feature of Tyrolean identity and ‘typically Tyrolean’ has roots that extend, amongst other places, to the Ottoman Empire and Bohemia. The Ferdinandeum’s music collection contains a wealth of fascinating, largely unpublished sources on the early history and development of brass band music, as well as a large number of instruments.

The exhibition also takes a critical look at and questions the military roots of brass band music, which remain fundamental to the day, as well as its close relationship with politics and its co-optation by totalitarian systems.

Naturally, the exhibition also explores the origins of the brass band association – the idea of bringing bands together into associations originated in Tyrol, and the ‘Unterinntaler Musikbund’, founded in 1903, is, in a sense, the forerunner of all such associations. A look at the present and future of the phenomenon known as ‘Tyrolean brass band music’ rounds off the exhibition. 

In partnership with